A studio that makes the thing before the meeting. Twenty years of customer experience for big brands, now for makers and for friends with an idea. The brand is the small proof the same hand made all of it, then it gets out of the way
Coal leads. Ember is used small. Everything reads on Char or Paper.
A kit of 3. Each earns its place by appearing in the logo or the motion; anything that doesn't is cut.
Warm, upbeat, a bit cheeky. The way Simon talks across a table: optimistic, plain, quick to say let's make it. Never salesy, never sharp. Australian English, no em dashes, no Oxford commas
Brock CX
Bricolage Grotesque for the name and the lines: The wordmark, the headings and the lines. Heavy and wide enough to hold the dot. Sentence case, never caps
Inter Tight for reading: Reading text, the friend's page, the app. A grotesk too; the two never swap jobs
Sentence case always. The two faces never swap jobs.
The wordmark arrives as the sum of the shapes and the type. Two directions, each shown on ink, on the lead colour and on paper.
No imagery of our own. The things we've made are the pictures, shown inside simple rounded devices: a phone, a laptop, a page, nothing branded, nothing else
Flame. Flare. The dot swells and its outline flows into the flame, holds, then flows back into the dot while the wordmark arrives beside it. One smooth movement, once, on arrival, about two and a half seconds. Nothing else moves, ever
The theory above, applied. This is the section that gets the most care.